The painter constructs, the photographer discloses. >>
Taste has no system and no proofs. >>
In most modern instances, interpretation amounts to the philistine ref >>
May the countryside and the gliding valley streams content me. Lost to >>
Fame is the echo of actions, resounding them to the world, save that t >>
Fame has also this great drawback, that if we pursue it, we must direc >>
The love of the famous, like all strong passions, is quite abstract. Its intensity can be measured mathematically, and it is independent of persons.